还是哈隆自Un homme qui crie以来无法摆脱的“急迫性”/emergency(几处敲门戏)——如果说导演在“消费女性苦难”观众是否也在“消费非洲”为何非洲的苦难必须“更加深刻”为何被永远标识为预设的“差异”car un homme qui crie n'est pas un ours qui danse ...
最后Wallace在人群中起舞像群体里的孤独者抛开一切名誉、担忧、烦恼镜头向上扫“Huh. A ceiling tile” “You also can expect that someone who’s willing to read and read hard a thousand-page book is gonna be someone with some loneliness issues.”